(I wrote this in 2017, when I had a little bit of humor left).

Okay, so even the New York Times published a story about another possible photo of New Mexico’s most over-appreciated celebrity, Billy the Kid, but I’m still waiting for the shot of him and other Lincoln County gunmen in tennis whites.

The value of the latest tintype may go sky-high because experts say the photo includes Pat Garrett, the Kid’s eventual killer. Billy has been identified in part by the size of his Adam’s apple.

Provided to The Associated Press and New York Times by owner.

As for my continuing research on 19th Century New Mexico outlaws and lawn sports, you will recall that the last famous Kid photo is said to show Billy and the Regulators playing croquet in Lincoln County in 1878. This might not be surprising given that the gang had recently been employed by Englishman John Tunstall, a rancher and merchant who was the first of many to die that year as the result of Lincoln County commerce.

Meanwhile, lawn sports were in a kind of ruthless transition.

In the croquet photo, Billy was dressed in a natty sweater, one that might have gotten him into the All-England Lawn Tennis and Croquet Club had it not been for his dusty boots, scroungy pants and cockeyed hat. To say nothing of the extra balls apparently stuffed in the sweater pockets and a firearm possibly concealed behind his back. And in the new photo, likely taken after the outlaws-playing-croquet exclusive was shot in 1878, Billy, second row and second from the right, has changed hats and is wearing what might be construed as a precursor to the tennis sombrero.

From Kagin’s, Inc., as shown in numerous publications.

Billy and his territorial New Mexico buddies obviously were keen on style and trends of the fast-changing world of the 1800s, as evidenced by their allegedly early embrace of croquet. But as Wikipedia notes about tastes in England: “By the late 1870s … croquet had been eclipsed by another fashionable game, tennis … “

One can only assume that New Mexico noses soon would be sniffing at croquet, too. And so I await a tennis-era portrait of the Lincoln County Bushwhacking and Lawn Sports Club.

As for the faded photo of the lone cowboy below, it is mine and I have begun to wonder if it might be among those exceedingly rare and valuable photos of Billy the Kid. I cannot, however, see the size of the suspect’s Adam’s apple.

More in Blundering History on dreamranch: Did Billy the Kid cheat at croquet?, Billy the Kid and croquet in New Mexico. Part II, Silly hats, Billy the Kid at the Desert Inn

As a very young man in the late 1960s, I went at least a couple of times to this North Beach restaurant on Green Street in San Francisco and imagined myself on a romantic date. The booths had curtains, which probably did not help to announce my availability.

This obviously is an earlier photograph but the atmosphere did not suffer over the years. The food possibly. But it’s was a good thing I went when I could because my next food memories are quickly disappearing batches of brown rice and broccoli with other impoverished sorts in Berkeley, 11-cent cans of tomato soup from the Berkeley Co-Op and someone surreptitiously taking a bite out my prized hunk of baloney and restoring re-wrapped in its butcher paper to the communal refrigerator at the Nash Hotel on University Avenue. I can still see the teeth marks.

Trailer Home, 1992 (color lithograph) by contemporary painter Delmas Howe is part of Rooted Strong: Visions of America from New Mexico opening April 4 at New Mexico Museum of Art.
Addison Doty/New Mexico Museum of Art

I feel foolish but not old.

I started writing here, trying to lay out my morning thoughts, but poems by Theodore Roethke emerged.

Our father started reading Roethke to me and my brother Pat in the early 1950s, before we were in school. Dad was studying at the Writer’s Workshop at the University of Iowa. We listened in our bunk beds in a corrugated metal Quonset hut, set aside for married student housing at Iowa after World War II. He started with children’s stuff — I think “Dirty Dinky” and “The Serpent,” though there seems to be a question of when “Dirty Dinky” was first published — but I’ve read Roethke and heard my father’s cadence through all of the succeeding 70-plus years.

I spent the morning reviewing family history, reasons for war against Iran, Russian thinking about Ukraine, controversy over a noisy pickle ball court in the formerly rural Tano Road area, outside of Santa Fe. I have been watching “Foyle’s War”from PBS at night and reviewing discussions with friends about Vietnam, morality and personal decisions. Before bed last night, I thought I should reread Remarque’s All Quiet on the Western Front and Thoreau’s essay “Civil Disobedience.”

I recognize my own shortfalls of discipline, though I still wonder what the amazingly creative British writer Anthony Horowitz, creator of “Foyle’s War,” has that I haven’t got. Was Shakespeare just trying to make a living and golden beams from heaven struck him at the same time? Musician Mark Knopfler, who I listened to and looked up last night, is only four days older than I am but he obviously got beamed, too. Or did they just work especially hard?

I slog on.

It’s taking me a lifetime to figure things out and then there are still more questions. Still, I don’t want to see my remaining years as a race of time against body.

I don’t begrudge Horowitz. I respect him. My humility, probably always lacking, seems to be accelerating with age. I’m glad, though feeling infinitely smaller under the stars.

I hate to think of Roethke as an unsettled soul, especially since he brings such joy to me. So, I say don’t take his poems as all dark. I see light there too.

In A Dark Time

by Theodore Roethke

    In a dark time, the eye begins to see, 
    I meet my shadow in the deepening shade;
    I hear my echo in the echoing wood—
    A lord of nature weeping to a tree.
    I live between the heron and the wren,
    Beasts of the hill and serpents of the den.
    What’s madness but nobility of soul
    At odds with circumstance? The day’s on fire!
    I know the purity of pure despair,
    My shadow pinned against a sweating wall.
    That place among the rocks—is it a cave,
    Or a winding path? The edge is what I have.

    A steady storm of correspondences!
    A night flowing with birds, a ragged moon,
    And in broad day the midnight come again!
    A man goes far to find out what he is—
    Death of the self in a long, tearless night,
    All natural shapes blazing unnatural light.

    Dark, dark my light, and darker my desire.
    My soul, like some heat-maddened summer fly,
    Keeps buzzing at the sill. Which I is I?
    A fallen man, I climb out of my fear.
    The mind enters itself, and God the mind,
    And one is One, free in the tearing wind.





The Waking

BY THEODORE ROETHKE

by Theodore Roethke

I wake to sleep, and take my waking slow.   

I feel my fate in what I cannot fear.   

I learn by going where I have to go.

We think by feeling. What is there to know?   

I hear my being dance from ear to ear.   

I wake to sleep, and take my waking slow.

Of those so close beside me, which are you?   

God bless the Ground!   I shall walk softly there,   

And learn by going where I have to go.

Light takes the Tree; but who can tell us how?   

The lowly worm climbs up a winding stair;   

I wake to sleep, and take my waking slow.

Great Nature has another thing to do   

To you and me; so take the lively air,   

And, lovely, learn by going where to go.

This shaking keeps me steady. I should know.   

What falls away is always. And is near.   

I wake to sleep, and take my waking slow.   

I learn by going where I have to go.


I slog on under the stars, one foot in front of the other, shaky as I might be.

Whether or not he said these exact words, Maureen Dowd has found some filmmakers turning Mark Twain sarcasm on its head …

From her March 14, 2026 column in the New York Times, “The Lost Horizon of John and Carolyn,” about a 2026 TV series called, “Love Story” …

“Daryl Hannah, the actress who dated J.F.K. Jr. before Carolyn, with a bit of overlap, wrote a trenchant guest essay in Times Opinion, claiming that the show turns her into a cocaine-snorting “obstacle” to the love story, a narrative device that is not “remotely accurate.” She said she’s never done cocaine.

“Nina Jacobson, a “Love Story” producer, admitted, “Given how much we’re rooting for John and Carolyn, Daryl Hannah occupies a space where she’s an adversary to what you want narratively in the story.” The producers did not consult with Hannah or the Kennedys. Connor Hines, the showrunner, told Variety that “it allows you to be a lot more objective.” Besides, he added inanely and selfishly, “it’s an incredibly large family as well. So if you were to talk about consulting them, where would you even begin?”

One good thing about falling asleep on the couch is waking up on the couch. Also, I discovered that the snow field in my copy of William Victor Higgins’s “Winter Funeral,” left, printed on metal, takes on an interesting glow when backlit by moon light and, well, the lights of Albuquerque.

”Winter Funeral” day view.